Hooray For CHANGE!

Here is a list to get started… I’ll be working on this page over time… would love people’s input:

1. Master and Commander: The Far Side of the World (Peter Weir, 2003)

Peter Weir’s unashamedly old-fashioned and visually stunning adaptation of Patrick O’Brian’s novel is one of the greatest odes to leadership ever committed to celluloid. Australian director Weir has made many terrific films, including Gallipoli, Dead Poets Society, The Year of Living Dangerously, and Witness, but Master and Commander was the pinnacle of his career so far. Nominated for 10 Oscars, including Best Picture, it should be essential viewing for any commander-in-chief. Russell Crowe delivers a powerhouse performance as Jack Aubrey, Captain of HMS Surprise, a British warship that hunts and ultimately captures a far larger French adversary during the Napoleonic Wars. Set in 1805, it is an epic tale of heroism and love for country in the face of incredible odds, and a glowing tribute to the grit and determination that forged the British Empire.

2. Black Hawk Down (Ridley Scott, 2001)

Sir Ridley Scott’s searing depiction of the ill-fated US raid on Mogadishu in 1993, which left 19 American servicemen dead, was released just months after the 9/11 terrorist attacks on the United States and the launch of the War on Terror. Based on the book by Mark Bowden, it won Academy Awards for Best Film Editing and Sound, and Scott was nominated for Best Director. Many critics enthusiastically dubbed Black Hawk Down an anti-war film, and it is in some respects a cautionary tale about the perils of nation-building. But I regard it above all as an extraordinarily powerful and deeply patriotic tribute to the heroism and bravery of the US military, faced with overwhelming odds in a hostile city dominated by brutal Somali warlords. It is essentially a story of incredible sacrifice and camaraderie in the heat of battle, and ranks alongside Zulu, Saving Private Ryan and A Bridge Too Far as one of the greatest war films of all time.

3. The Lord of the Rings Trilogy (Peter Jackson, 2001, 2002, 2003)

All three parts of the Lord of the Rings trilogy were great pieces of cinema – The Fellowship of the Ring, The Two Towers, and finally The Return of the King, which won Best Picture at the 2004 Academy Awards. J.R.R. Tolkien, the author of Lord of the Rings, was a devout Catholic and conservative, and a close friend of C.S. Lewis at Oxford. His vision of a mighty battle between good and evil in the realms of Middle Earth was brilliantly transferred to the screen by New Zealand director Peter Jackson, perfectly fitting a post 9/11 world where the forces of freedom found themselves pitted against a barbaric enemy.

4. Gladiator (Ridley Scott, 2000)

Ridley Scott is without a doubt one of the finest directors of the modern era, and preceded Black Hawk Down with his masterful Best Picture winner Gladiator. The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of “engagement” in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.

5. The Pursuit of Happyness (Gabriele Muccino, 2006)

This Will Smith vehicle, based on the autobiographical bestseller by Chris Gardner, is one of the most powerful tributes to the free market and the value of individual responsibility ever made. Smith plays an impoverished entrepreneur from a humble background in 1980s San Francisco who through sheer determination and strength of human spirit defies all odds to become a stockbroker with a top investment firm, before making his fortune. Smith’s character embodies the can-do spirit of Reagan’s America, and rejects the welfare state in favour of the capitalist ideal, while bringing up a young son on his own. The Pursuit of Happyness is an inspiring and often deeply moving tribute to the American dream, and one of the great conservative movies of this generation.

6. The Dark Knight (Christopher Nolan, 2008)

Christopher Nolan’s global mega hit raked in over $1 billion worldwide, and it’s not hard to see why. Featuring some of the most striking set designs since Blade Runner, Nolan’s towering vision of Gotham City looked glorious in IMAX, and was a ground-breaking cinematic achievement. Heath Ledger’s pitch-perfect performance as The Joker deservedly won him a posthumous Best Supporting Actor award. It is though its depiction of Batman’s relentless war against the Joker’s campaign of terror, which marks The Dark Knight as a standout conservative film. The Dark Knight himself, played to perfection by Christian Bale, is unwavering in his determination to defeat his adversary, whatever the cost.

7. The Hurt Locker (Kathryn Bigelow, 2009)

Kathryn Bigelow’s critically acclaimed tribute to the heroism of US Army bomb disposal experts in Iraq has already been nominated for three Golden Globes. It is a searing and tense war film that has been the surprise hit of the year in the United States. What is refreshing about the film is its willingness to portray the US military presence in Iraq in an overwhelmingly sympathetic light, and the al-Qaeda-backed enemy as barbaric and fundamentally evil. There are no shades of gray in The Hurt Locker, and this is a strikingly patriotic motion picture that has been embraced by an American public weary of the anti-Americanism churned out by Hollywood in its portrayal of the War on Terror – from Rendition and Lions for Lambs to Redacted and In the Valley of Elah. The Hurt Locker is by far the best conservative film of 2009, and one of the greatest of the decade.

8. Hotel Rwanda (Terry George, 2004)

Hotel Rwanda is one of the most powerful films ever made depicting genocide. In its unflinching portrayal of the weakness and indifference of the United Nations and the broader international community in the face of the 1994 Rwanda genocide, Terry George’s film vividly captured the horror of the mass slaughter of the Tutsis by the Hutus, which left one million people dead. The film’s moving true story is told through the eyes of Paul Rusesabagina (played brilliantly by Don Cheadle), a hotel owner who selflessly saved the lives of over a thousand refugees from the minority Tutsi tribe. It is a hugely important film with a powerful conservative message on two levels – it demonstrated the impotence and moral bankruptcy of the UN’s leadership in the face of genocide as well as the limits of multilateralism, and ultimately made a compelling case for the use of force by the free world to act against evil. It is a film that former United Nations Secretary General Kofi Annan (head of UN peacekeeping at the time), should be made to watch over and over again.

9. The Lives of Others (Florian Henckel von Donnersmarck, 2006)

There have been surprisingly few films made about the massive human cost inflicted by Soviet Communism, and its ruthless dominance of eastern and central Europe over the course of nearly four decades.  The Lives of Others (Das Leben der Anderen) is one of the very finest, and is a damning indictment of the totalitarian surveillance society run by the Secret Police in East Germany. Set in East Berlin in 1984, the film tells the ultimately redemptive tale of a conflicted Stasi officer (played by Ulrich Mühe, in his final role) tasked with spying on a dissident playwright (Sebastian Koch). The Lives of Others deservedly won the Best Foreign Language Film at the 2007 Oscars, and was a huge success in its native Germany, where it forced the country to once again confront the ghosts of its recent past and the huge pain and suffering inflicted by Communist rule in the east.

10. 300 (Zack Snyder, 2007)

Any film that prompts howls of indignation from Mahmoud Ahmadinejad and his brutal acolytes in Tehran deserves recognition. 300 achieved that in spades with its fiery retelling of the Battle of Thermopylae in 480 BC, where three hundred Spartan warriors took on a vast army of Persians commanded by Xerxes. Zack Snyder’s faithful adaptation of the Frank Miller graphic novel featured incredible battle sequences shot with the latest digital technology, and proved a major box office hit. As he contemplates how to deal with the Iranian nuclear threat, Barack Obama should ditch his failed appeasement strategy and take some tips from the Spartans about standing your ground in the face of an evil tyrant.

Honorable Mentions

These films didn’t make the final list, but would be strong contenders for a top 20.

The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (Andrew Adamson, 2005); Cinderella Man (Ron Howard, 2005); Gran Torino (Clint Eastwood, 2008); Juno (Jason Reitman, 2007); The Passion of the Christ (Mel Gibson, 2004); Rocky Balboa (Sylvester Stallone, 2006); Tears of the Sun (Antoine Fuqua, 2003); United 93 (Paul Greengrass, 2006); We Were Soldiers (Randall Wallace, 2002).

1. The Lives of Others (2007): “I think that this is the best movie I ever saw,” said William F. Buckley Jr. upon leaving the theater (according to his column on the film). The tale, set in East Germany in 1984, is one part romantic drama, one part political thriller. It chronicles life under a totalitarian regime as the Stasi secretly monitors the activities of a playwright who is suspected of harboring doubts about Communism. Critics showered the movie with praise and it won an Oscar for best foreign-language film (it’s in German). More Buckley: “The tension mounts to heart-stopping pitch and I felt the impulse to rush out into the street and drag passersby in to watch the story unfold.”

— John J. Miller

2. The Incredibles (2004): This animated film skips pop-culture references and gross jokes in favor of a story that celebrates marriage, courage, responsibility, and high achievement. A family of superheroes — Mr. Incredible, his wife Elastigirl, and their children — are living an anonymous life in the suburbs, thanks to a society that doesn’t appreciate their unique talents. Then it comes to need them. In one scene, son Dash, a super-speedy runner, wants to try out for track. Mom claims it wouldn’t be fair. “Dad says our powers make us special!” Dash objects. “Everyone is special,” Mom demurs, to which Dash mutters, “Which means nobody is.”

— Frederica Mathewes-Greene writes for Beliefnet.com.

3. Metropolitan (1990): Whit Stillman’s Oscar-nominated debut takes a red-headed outsider into the luxurious drawing rooms and debutante balls of New York’s Upper East Side elite. One character, a committed socialist, falls for the discreet charm of the urban haute bourgeoisie. Another plaintively theorizes the inevitable doom of his class. A reader of Jane Austen wonders what’s wrong with a novel’s having a virtuous heroine. And a roguish defender of standards and detachable collars delivers more sophisticated conservative one-liners than a year’s worth of Yale Party of the Right debates. With mocking affection, gentle irony, and a blizzard of witty dialogue, Stillman manages the impossible: He brings us to see what is admirable and necessary in the customs and conventions of America’s upper class.

— Mark Henrie is the editor of Doomed Bourgeois in Love: Essays on the Films of Whit Stillman.

4. Forrest Gump (1994): It won an Oscar for best picture — beating Pulp Fiction, a movie that’s far more expressive of Hollywood’s worldview. Tom Hanks plays the title character, an amiable dunce who is far too smart to embrace the lethal values of the 1960s. The love of his life, wonderfully played by Robin Wright Penn, chooses a different path; she becomes a drug-addled hippie, with disastrous results. Forrest’s IQ may be room temperature, but he serves as an unexpected font of wisdom. Put ’em on a Whitman’s Sampler, but Mama Gump’s famous words about life’s being like a box of chocolates ring true.

— Charlotte Hays is co-author of Somebody Is Going to Die If Lilly Beth Doesn’t Catch That Bouquet.

Warner Bros.

5. 300 (2007): During the Bush years, Hollywood neglected the heroism of American soldiers in Iraq and Afghanistan — but it did release this action film about martial honor, unflinching courage, and the oft-ignored truth that freedom isn’t free. Beneath a layer of egregious non-history — including goblin-like creatures that belong in a fantasy epic — is a stylized story about the ancient battle of Thermopylae and the Spartan defense of the West’s fledgling institutions. It contrasts a small band of Spartans, motivated by their convictions and a commitment to the law, with a Persian horde that is driven forward by whips. In the words recorded by the real-life Herodotus: “Law is their master, which they fear more than your men[, Xerxes,] fear you.”

— Michael Poliakoff, a classicist, is vice president for academic affairs at the University of Colorado.

Sony Pictures

6. Groundhog Day (1993): This putatively wacky comedy about Bill Murray as an obnoxious weatherman cursed to relive the same day over and over in a small Pennsylvania town, perhaps for eternity, is in fact a sophisticated commentary on the good and true. Theologians and philosophers across the ideological spectrum have embraced it. For the conservative, the moral of the tale is that redemption and meaning are derived not from indulging your “authentic” instincts and drives, but from striving to live up to external and timeless ideals. Murray begins the film as an irony-soaked narcissist, contemptuous of beauty, art, and commitment. His journey of self-discovery leads him to understand that the fads of modernity are no substitute for the permanent things.

— Jonah Goldberg

7. The Pursuit of Happyness (2006): Based on the life of self-made millionaire Chris Gardner (Will Smith), this film provides the perfect antidote to Wall Street and other Hollywood diatribes depicting the world of finance as filled with nothing but greed. After his wife leaves him, Gardner can barely pay the rent. He accepts an unpaid internship at a San Francisco brokerage, with the promise of a real job if he outperforms the other interns and passes his exams. Gardner never succumbs to self-pity, even when he and his young son take refuge in a homeless shelter. They’re black, but there’s no racial undertone or subtext. Gardner is just an incredibly hard-working, ambitious, and smart man who wants to do better for himself and his son.

— Linda Chavez is chairman of the Center for Equal Opportunity.

8. Juno (2007): The best pro-life movies reach beyond the church choirs and influence the wider public. Juno was a critical and commercial success. It didn’t set out to deliver a message on abortion, but much of its audience discovered one anyway. The story revolves around a 16-year-old who finds a home for her unplanned baby. The film has its faults, including a number of crass moments and a pregnant high-school student with an unrealistic level of self-confidence. Yet it also exposes a broken culture in which teen sex is dehumanizing, girls struggle with “choice,” and boys aimlessly try — and sometimes downright fail — to become men. The movie doesn’t glamorize much of anything but leaves audiences with an open-ended chance for redemption.

— Kathryn Jean Lopez

9. Blast from the Past (1999): Revolutionary Road is only the latest big-screen portrayal of 1950s America as boring, conformist, repressive, and soul-destroying. A decade ago, Hugh Wilson’s Blast from the Past defied the party line, seeing the values, customs, manners, and even music of the period with nostalgic longing. Brendan Fraser plays an innocent who has grown up in a fallout shelter and doesn’t know the era of Sputnik and Perry Como is over. Alicia Silverstone is a post-feminist woman who learns from him that pre-feminist women had some things going for them. Christopher Walken and Sissy Spacek as Fraser’s parents are comic gems.

— James Bowman is a movie critic.

10. Ghostbusters (1984): This comedy might not get Russell Kirk’s endorsement as a worthy treatment of the supernatural, but you have to like a movie in which the bad guy (William Atherton at his loathsome best) is a regulation-happy buffoon from the EPA, and the solution to a public menace comes from the private sector. This last fact is the other reason to love Ghostbusters: When Dr. Peter Venkman (Bill Murray) gets kicked out of the university lab and ponders pursuing entrepreneurial opportunities, a nervous Dr. Raymond Stantz (Dan Aykroyd) replies: “I don’t know about that. I’ve worked in the private sector. They expect results!”

— Steven F. Hayward is a fellow at the American Enterprise Institute.

New Line Productions

11. The Lord of the Rings (2001, 2002, 2003): Author J. R. R. Tolkien was deeply conservative, so it’s no surprise that the trilogy of movies based on his masterwork is as well. Largely filmed before 9/11, they seemed perfectly pitched for the post-9/11 world. The debates over what to do about Sauron and Saruman echoed our own disputes over the Iraq War. (Think of Wormtongue as Keith Olbermann.) When Frodo sighs, “I wish none of this had happened,” Gandalf’s response speaks to us, too: “So do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given to us.”

— Andrew Leigh is a screenwriter and producer in Los Angeles.

12. The Dark Knight (2008): This film gives us a portrait of the hero as a man reviled. In his fight against the terrorist Joker, Batman has to devise new means of surveillance, push the limits of the law, and accept the hatred of the press and public. If that sounds reminiscent of a certain former president — whose stubborn integrity kept the nation safe and turned the tide of war — don’t mention it to the mainstream media. Our journalists know that good men are often despised by the mob; it just never seems to occur to them that they might be the mob themselves.

— Andrew Klavan is the author of Empire of Lies.

13. Braveheart (1995): Forget the travesty this soaring action film makes of the historical record. Braveheart raised its hero, medieval Scottish warrior William Wallace, to the level of myth and won five Oscars, including best director for Mel Gibson, who played Wallace as he led a spirited revolt against English tyranny. Braveheart taught that freedom is not just worth dying for, but also worth killing for, in defense of hearth and homeland. Six years later, amid the ruins of the Twin Towers, Gibson’s message resonated with a generation of American youth who signed up to fight terrorists, instead of inviting them to join a “constructive dialogue.” Liberals have never forgiven Gibson since.

— Arthur Herman is the author of How the Scots Invented the Modern World.

14. A Simple Plan (1998): A defining insight of conservatism is that whatever transcendent inspiration there may be to moral principles, there is also the humble fact that morality works. Moral institutions and customs endure because they allow civilization to proceed. Sam Raimi’s gripping A Simple Plan illustrates this truth. Bill Paxton plays a decent family man who lives by the book in every way. But when he’s cajoled into breaking the rules to get rich quick, he falls under the jurisdiction of the law of unintended consequences and discovers that simple morality is not simplistic, and that a seductively simple plan is a siren song if it runs against the grain of what is right.

— Jonah Goldberg

15. Red Dawn (1984): From the safe, familiar environment of a classroom, we watch countless parachutes drop from the sky and into the heart of America. Oh, no: invading Commies! Laugh if you want — many do — but Red Dawn has survived countless more acclaimed films because Father Time has always been our most reliable film critic. The essence of timelessness is more than beauty. It’s also truth, and the truth that America is a place and an idea worth fighting and dying for will not be denied, not under a pile of left-wing critiques or even Red Dawn’s own melodramatic flaws. Released at the midpoint of Reagan’s presidential showdown with the Soviet Union, this story of what was at stake in the Cold War endures.

— John Nolte blogs at BigHollywood.Breitbart.com.

20th Century Fox

16. Master and Commander (2003): This naval-adventure film starring Russell Crowe is based on the books of Patrick O’Brian, and here’s what A. O. Scott of the New York Times said in his review: “The Napoleonic wars that followed the French Revolution gave birth, among other things, to British conservatism, and Master and Commander, making no concessions to modern, egalitarian sensibilities, is among the most thoroughly and proudly conservative movies ever made. It imagines the [H.M.S.] Surprise as a coherent society in which stability is underwritten by custom and every man knows his duty and his place. I would not have been surprised to see Edmund Burke’s name in the credits.”

— John J. Miller

17. The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe (2005): The White Witch runs a godless, oppressive, paranoid regime that hates Santa Claus. She’s a cross between Burgermeister Meisterburger and Kim Jong Il. The good guys, meanwhile, recognize that some throats will need cutting: no appeasement, no land-for-peace swaps, no offering the witch a snowmobile if she’ll only put away the wand. Underlying the narrative is the story of Christ’s rescuing man from sin — which is antithetical to the leftist dream of perfected man’s becoming an instrument for earthly utopia. The results of such utopian visions, of course, are frequently like the Witch’s reign: always winter, and never Christmas.

— Tony Woodlief writes for World magazine and blogs at tonywoodlief.com.

18. The Edge (1997): Screenwriter David Mamet uses a wilderness survival story about friendship, betrayal, and forgiveness to present a few truths rarely seen in movies: Knowledge has its limits, fortitude is a weapon against hardship, and honor can motivate even the shallowest man to great sacrifice. Some have interpreted the film as a Cold War allegory because it features a menacing bear. The main characters (played by Anthony Hopkins and Alec Baldwin) understand that there is neither wisdom nor nobility in waiting for others to save them, and that they must take responsibility for their own lives and souls. Life is unfair, but to challenge life on its own terms is an exhilarating reward, no matter the outcome.

— Michael Long is a director of the White House Writers Group.

19. We Were Soldiers (2002): Most movies about the Vietnam War reflect the derangements of the antiwar Left. This film, based on the memoir by Lt. Col. Hal Moore (played by Mel Gibson), offers a lifelike alternative. It focuses on a fight between an outnumbered U.S. Army battalion and three North Vietnamese regiments in the battle of Ia Drang in 1965. Significantly, it treats soldiers not as wretched losers or pathological killers, but as regular citizens. They are men willing to sacrifice everything to do their duty — to their country, to their unit, and to their fellow soldiers. As the movie makes clear, they also had families. Indeed, their last thoughts were usually about their loved ones back home.

— Mackubin Thomas Owens, a Vietnam veteran, is a professor at the Naval War College.

20. Gattaca (1997): In this science-fiction drama, Vincent (Ethan Hawke) can’t become an astronaut because he’s genetically unenhanced. So he purchases the identity of a disabled athlete (Jude Law), with calamitous results. The movie is a cautionary tale about the progressive fantasy of a eugenically correct world — the road to which is paved by the abortion of Down babies, research into human cloning, and “transhumanist” dreams of fabricating a “post-human species.” Biotechnology is a force for good, but without adherence to the ideal of universal human equality, it opens the door to the soft tyranny of Gattaca and, ultimately, the dystopian nightmare of Brave New World.

— Wesley J. Smith is a senior fellow at the Discovery Institute.

21. Heartbreak Ridge (1986): Clint Eastwood’s foul-mouthed Marine sergeant Tom Highway makes quick work of kicking Communist Cubans out of Grenada. And, boy, does “Gunny” hate Commies. Not only does he kill quite a few, he also refuses a bribe of a Cuban cigar, saying: “Get that contraband stogie out of my face before I shove it so far up you’re a** you’ll have to set fire to your nose to light it.” A welcome glorification of Reagan’s decision to liberate Grenada in 1983, the film also notes how after a tie in Korea and a loss in Vietnam, America can finally celebrate a military victory. Eastwood, the old war horse, walks off into retirement pleased that he’s not “0–1–1 anymore.” Semper Fi. Oo-rah!

— James G. Lakely is managing editor of InfoTech & Telecom News at the Heartland Institute.

22. Brazil (1985): Vividly depicting the miserable results of elitist utopian schemes, Terry Gilliam’s Brazil portrays a darkly comic dystopia of malfunctioning high-tech equipment and the dreary living conditions common to all totalitarian regimes. Everything in the society is built to serve government plans rather than people. The film is visually arresting and inventive, with especially evocative use of shots that put the audience in a subservient position, just like the people in the film. Terrorist bombings, national-security scares, universal police surveillance, bureaucratic arrogance, a callous elite, perversion of science, and government use of torture evoke the worst aspects of the modern megastate.

— S. T. Karnick blogs at stkarnick.com.

Universal Studios

23. United 93 (2006): Minutes after terrorists struck on 9/11, Americans launched their first counterattack in the War on Terror. Director Paul Greengrass pays tribute to the passengers of United 93 by refusing to turn their story into a wimpy Hollywood melodrama. Instead, United 93 unfolds as a real-time docudrama. Just as significantly, Greengrass provides a clear depiction of our enemies. United 93 opens as four Muslim terrorists pray in a hotel room. Several hours later, the hijackers’ frenzied shrieks to Allah mingle with the prayerful supplications of United 93’s passengers as they crash through the cockpit door and strike a blow against those who would terrorize our country.

— Andrew Coffin is director of the Reagan Ranch and vice president of Young America’s Foundation.

24. Team America: World Police (2004): This marionette movie from South Park creators Trey Parker and Matt Stone is hard to categorize as conservative. It’s amazingly vulgar and depicts Americans as wildly overzealous in fighting terror. Yet the film’s utter disgust with air-headed, left-wing celebrity activism remains unmatched in popular culture. As the heroes move to stop a WMD apocalypse, they clash with Alec Baldwin, Tim Robbins, Susan Sarandon, Sean Penn, and a host of others, whom they take out with gunfire, sword, and martial arts before saving the day. The movie, like South Park itself, reveals Parker and Stone as the two-headed George Grosz of American satire.

— Brian C. Anderson is editor of City Journal and author of South Park Conservatives.

25. Gran Torino (2008): Clint Eastwood directs and stars in the ultimate family movie unsuitable for the family. He plays Walt Kowalski, a caricature of an old-school, dying-breed, Polish-American racist male, replete with post-traumatic stress disorder from having served in the Korean War. Kowalski comes to realize that his exotic Hmong neighbors embody traditional social values more than his own disaster of a Caucasian nuclear family. Dirty Harry blows away political correctness, takes on the bad guys, and turns a boy into a man in the process. He even encourages the cultural assimilation of immigrants. It feels so good, you knew the Academy would ignore it.

— Andrew Breitbart is the proprietor of BigHollywood.Breitbart.com.

The Also-Rans
25 more great conservative movies

Air Force One, Amazing Grace, An American Carol, Barcelona, Bella, Cinderella Man, The Exorcism of Emily Rose, Hamburger Hill, The Hanoi Hilton, The Hunt for Red October, The Island, Knocked Up, The Last Days of Disco, The Lost City, Miracle, The Patriot, Rocky Balboa, Serenity, Stand and Deliver, Tears of the Sun, Thank You for Smoking, Three Kings, Tin Men, The Truman Show, Witness

The List

1. A Man for All Seasons 2. Chariots of Fire 3. Therese 4. King of Kings 5. The Ten Commandments 6. Johnny Belinda 7. Quo Vadis? 8. Carnal Knowledge 9. Ten 10. Tender Mercies 11. Three Godfathers 12. The Bicycle Thief 13. My Left Foot 14. Stand and Deliver 15. Lean on Me 16. Meet Me in St. Louis 17. Little Women 18. Since You Went Away 19. Penny Serenade 20. How Green Was My Valley 21. Fort Apache 22. She Wore a Yellow Ribbon 23. Rio Grande 24. The Quiet Man 25. The Life and Death of Colonel Blimp 26. A Canterbury Tale 27. I Know Where I’m Going 28. Dumbo 29. Mr. Deeds Goes to Town 30. You Can’t Take It with You 31. Mr. Smith Goes to Washington 32. Meet John Doe 33. It’s a Wonderful Life 34. My Darling Clementine 35. Sergeant York 36. Yankee Doodle Dandy 37. Red Dawn 38. The Hanoi Hilton 39. Rambo: First Blood Part II 40. The Deer Hunter

41. Heartbreak Ridge 42. Wake Island 43. Thirty Seconds Over Tokyo 44. That Hamilton Woman 45. King’s Row 46. Knute Rockne All American 47. The Inner Circle 48. Ninotchka 49. Marie Antoinette 50. A Tale of Two Cities 51. Viva Villa 52. There Was a Crooked Man 53. The Next Voice You Hear 54. Going My Way 55. The Song of Bernadette 56. Lilies of the Field 57. High Noon 58. The Fountainhead 59. A Tree Grows in Brooklyn 60. The Yearling 61. I Remember Mama 62. Father of the Bride 63. Father’s Little Dividend 64. Sounder 65. Baby Boom 66. Judge Priest 67. State Fair 68. Shane 69. Drums Along the Mohawk 70. Ruggles of Red Gap 71. To Kill a Priest 72. Man of Marble 73. One Day in the Life of Ivan Denisovich 74. Animal Farm 75. Eleni 76. Dr. Zhivago 77. Invasion of the Body Snatchers 78. Ghostbusters 79. Too Hot to Handle 80. White Nights 81. Forbidden Planet

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